Articles related to Doug Varone and Dancers
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Anderson, Jack. "Dance Review: Emotions Come Out Swinging, Then Go." The New
York Times. (17 Dec. 1994): 1-20.
A review of "Rise," as well as "Possession" (set to Philip Glass’s Concerto for Violin and Orchestra,) "Strict Love," and "Aperture," as performed by Doug Varone and Dancers at 92d Street Y Harkness Dance Project at Playhouse 91 in December, 1994.
Anderson, Jack. "The Dance: Doug Varone." The New York Times. (16 Sept. 1986): C-19.
A review of and ensemble dance entitled "Cantata 78/Every Waking Hour" (music by J.S. Bach,) a solo for Varone called "28-4-5," and "Cansos de Trobairitz," a piece celebrating the female equivalents of the medieval troubadors.
Kisselgoff, Anna. "In the Grip of Middle Age, Falling Out of Formation." The New York Times. (7 Jan. 2000): E1-7.
A review of a performance given by Doug Varone and Dancers at the Joyce Theater in New York City in January 2000. The works on the program included "Tomorrow" (set to various Belle Epoque songs by Reynaldo Hahn,) "Sleeping With Giants," and "Rise."
Kourlas, Gia. "Sweeping Movement and Harrowing Imagery." The New York Times. (26 Feb. 2009): C-7.
A review of a February, 2009 Doug Varone and Dancers performance of "Alchemy," "Tomorrow," and "Lux" (set to The Light by Philip Glass) at the Joyce Theater in New York City.
Traiger, Lisa, et al. "Performing Arts." The Washington Post. (17 April 2006): C-5.
Doug Varone and Dancers perform "Castles" (set to Sergei Prokofiev’s Waltz Suite, Op. 110) "Rise," and "Short Story" (set to a Prelude in C by Sergei Rachmaninoff) at George Mason University in April, 2007,) reviewed by The Washington Post.
