Search Results

Please note: These search results do not contain links to electronic articles hosted by the University of Maryland Libraries, although some may be available online. Please contact the University of Maryland Libraries for assistance in obtaining copies of any of the articles cited in this bibliography.

Your search in the category "Fine and Decorative Arts" returned 778 results in 39 pages.

Showing results 161 through 180.

161)
Canedo-Muzyk, Vivian. “The Painted River.” Chesapeake Life, 10 (November 2004): 47- 50.

162)
Canedo-Muzyk, Vivian. “Torch Bearer.” ,em>Chesapeake Life, 10 (December 2004): 49-50, 52.

163)
Canedo-Muzyk, Vivian. “Torch Bearer.” Chesapeake Life, 10 (December 2004): 49-50, 52.

164)
Cardasis, D. “James Rose, Tommy Church, and the Baltimore Sculpture Garden.” Landscape Architecture, 99 (September 2009): 32-33.

165)
Carney, Benjamin Franklin. "The Baltimore Theatre Project, 1971-1983: Toward a People's Theatre." Ph.D. diss., University of Missouri, 1985.

166)
Carter, Edward C., II, ed. The Virginia Journals of Benjamin Henry Latrobe, 1795-1798. Vols. 1,2. New Haven: Yale University Press, 1977.
Annotations / Notes: The first of several volumes in this series, a multi-year effort, published for the Maryland Historical Society where most of Latrobe's records reside. Succeeding volumes encompass Latrobe's other journals, papers and correspondence, architectural and engineering drawings, views, etc.

167)
Carter, Edward C., II, Editor in Chief, and Thomas E. Jeffrey, Microfiche Editor. The Guide and Index to the Microfiche Edition of the Papers of Benjamin Henry Latrobe. Clifton, NJ: Published for the Maryland Historical Society by James T. White and Co., 1976.

168)
Carter, Edward C., II. "The Papers of Benjamin Henry Latrobe and the Maryland Historical Society, 1885-1971: Nature, Structure and Means of Acquisition." Maryland Historical Magazine 66 (1971): 436-455.
Annotations / Notes: An involved discussion of the provenance of the Latrobe collection and the project to microfilm it. Latrobe, a prominent architect, artist, and surveyor, among other talents, left a variety of materials, including drawings depicting America at the end of the eighteenth century. An interesting discussion of the history of a rich collection.

169)
Catton, Bruce. "A Southern Artist on the Civil War." American Heritage 9 (1958): 117-120.

170)
Caughy, Timothy. “Into the Gap Between: The Ceramic Sculpture of Lars Westby.” Ceramics (Sydney, Australia), 65 (2006): 77-80.

171)
Cawley, Lucinda R. “IHR Teppich: Quilts and Fraktur.” Uncoverings, 25 (2004): 11-40.

172)
Chappell, Helen. "Adventures of a Bay Cartoonist." Chesapeake Bay Magazine, 22 (April 1993): 42-45.

173)
Chappell, Helen. "Barns, Birds and Boats." Maryland, 24 (Spring 1992): 36-41.

174)
Chappell, Helen. "From the Heart." Maryland, 25 (Winter 1992): 38-42.

175)
Chappell, Helen. "Honest and True." Annapolitan, 5 (April 1991): 43-45, 50.
Annotations / Notes: artist Sally Kagan

176)
Chappell, Helen. "James Drake Iams." Maryland, 24 (Autumn 1991): 24-27.

177)
Cheesman, George. "Frederick County's Forgotten Glassmaker." Maryland 9 (Summer 1977): 27-31.
Annotations / Notes: John Frederick Amelung.

178)
Chico, Beverly Berghaus. "Two American Firsts: Sarah Peale, Portrait Painter, and John Neal, Critic." Maryland Historical Magazine, 71 (Fall 1976): 349-59.

179)
Chidsey, Martha Ann. "The West Street Theatre, Annapolis, Maryland: 1771-74." M.A. thesis, American University, 1977.

180)
Clarke, Wendy Mitman. "Water of Art, Water of Life." Chesapeake Bay Magazine 50 (November 2000): 46-53.